Happy grading!įeatures:- Manual Node-Based Color Management Pipeline - Just set your camera settings in Node 2 (INPUT)- Built-In Halation, Grain, Glow, and Film Blur - Multi LUT design - mix & match Kodak and Fuji FPEs using layer node- No Additional plug-ins required! Just DaVinci Resolve Studio 17. Once the Power Grade & Luts have been imported, they can be applied to any shot within a timeline by right-clicking on the Powergrade still within the gallery (under Power Grade tab) and selecting 'apply grade'.

This PG sets up a fairly simple node tree that handles everything needed to set-up and properly apply either legacy FPE look-up table to modern high-end digital cinema cameras (ANY) using modern color management on a node level, specifically DaVinci Wide Gamut (DWG) until output to Rec709 Gamma 2.4 (BT1886). Head back to the Davinci Resolve and right click on the same LUTs folder in the drop down menu panel. The included Kodak 2383 and Fuji 3513 FPE LUTs are infamous, and for good reason, but they require a bit of technical conversion before it works properly with most modern high-end cinema cameras and workflows. We just released a brand new 100% FREE PowerGrade over at PixelTools Feel free to delete if you feel its too off topic of cinematography. If you work with your footage in Resolve, you may find this of interest.

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